Berkeley Art Museum, University of California
Shaped like a fan, Ciampi’s building adapts itself to Berkeley’s wavy landscape. Large, connected exposed concrete blocks form a dramatic general view. On the inside the dynamic design could almost be called proto-deconstructivist: robust concrete panels are partly supported by thin pilotis and are interjoined resulting in a multitude of corners and ledges which define the space. Despite the extensive use of exposed concrete, this leads to a fragile overall impression.